In the first look at the Fab 104, we examined the impact and importance of George Smith, Julia Lennon and, of course, harmonica tutor Arthur Pendleton. This time we look at the founding members of The Quarrymen: John Lennon, Pete Shotton and Bill Smith.
In a rare interview, Bill Smith told me where they formed the group and how they came up with the name, The Quarrymen – and who didn’t like the suggestion! They may look innocent, but in the photo we see, from left to right, Bill Smith, Pete Shotton, John Lennon, Don Beattie and Michael Hill (more on the latter two guys later). Bill also told me why his collar is up, and the story behind the hairstyles. Bill was the first tea-chest bass player with the group, but when he left the group, Lennon and Shotton broke into Bill’s house and stole it! But Bill took it back! Read Bill’s story in “The Fab One Hundred and Four: The Evolution of The Beatles” at www.fab104.com
Could you tell someone how they went from the Quarrymen to the Beatles? I started researching it and therefore started writing “The FAB one hundred and Four: The Evolution of The Beatles”. And I was amazed – there were 104 people! I went looking for the musicians who played with every incarnation of the group, plus those who taught The Beatles to play, and those who played a significant part in the evolution of the Beatles, from the first Fab Four: John Lennon, Pete Shotton, Bill Smith and Eric Griffiths, to the famous Fab Four: John, Paul, George and Ringo.
Follow me on a journey from the very start of The Beatles to the end of 1962 when Ringo Starr had become the final piece of the jigsaw in the Fab Four.
It all started with John Lennon, and in particular, the influence of his mum Julia. Having been separated from his mother at the age of 5, he reconnected with her in his early teens, and she became a major instigator in Lennon’s musical journey. As Julia played banjo, ukulele and piano there was always music in the house, and she encouraged her son with his musical ambitions.
However, once he had a guitar, because he couldn’t play it or tune it properly, John tuned his guitar to his mother’s banjo, and so learned to play only banjo chords on his guitar. When he met Paul on 6th July 1957, he was playing banjo chords, which confused the young McCartney.
Julia also wanted to encourage him to learn to play the harmonica that his uncle George had given him. Julia’s neighbour, Arthur Pendleton, was a keen harmonica player, and so Julia sent young John to take lessons from Arthur. Those lessons, and not lessons from Delbert McLinton, helped to form the distinctive sound that caught the ear of George Martin, and underpinned the Beatles’ first hit singles.
Next time: how John acquired his first guitar.
For more information go to www.fab104.com