Hey Jude! Celebrating John Lennon’s Birthday – with Jude Kessler

John Lennon with his mother Julia
John Lennon with his mother Julia

We celebrate what would have been John Lennon’s 79th birthday. Join your Liddypod podcast team of David Bedford and Paul Beesley in conversation with author Jude Kessler. Jude, whose John Lennon Series is now in its fifth book, talks all things Lennon and Liverpool. David has even given her the title of “honorary Scouser”.

Two of Jude's books; Shoulda Been There and Shivering Inside
Two of Jude’s books; Shoulda Been There and Shivering Inside

What drives a lady from the deep south to cross the Atlantic several times to Liverpool, before “google” and the internet, to interview those who knew John the best?

Listen now, and subscribe to, Liddypod: Beatles Banter with Bedford and Beesley.

David Bedford

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5th October 1962 in Beatles History: “Love Me Do” is Released

The Fab Four - George, John, Ringo and Paul
The Fab Four – George, John, Ringo and Paul

The Beatles first single is issued in the uk

After the first session with George Martin on 4th September 1962, Martin decided to bring in a session drummer. Andy White was recruited for the second session a week later.

“Ringo Didn’t Drum on the First Single”

Paul was convinced that Ringo didn’t play drums on the group’s first Parlophone single, “Love Me Do” – and Ringo agreed. Yet history has shown that he was indeed on the UK single release. Considering that Andy White was hired to drum on the recording, there are questions. Was Ringo’s version mistakenly released on the UK single? After all, the White version of “Love Me Do” appeared on The Beatles’ debut studio album Please Please Me, the UK EP release The Beatles’ Hits, and also on their U.S. single release.

"Love Me Do" The Beatles' first single released on 5th October 1962
“Love Me Do” The Beatles’ first single released on 5th October 1962

Was it released by mistake? Any evidence?

If the Ringo version wasn’t considered good enough after 4th September, why release that first version? Neither George Martin nor Ron Richards were sure if it was selected intentionally or not.

Releases of “Love Me Do” issued after The Beatles’ Hits on 21st September 1963 contained Andy White’s version. Why? The original master recording of Ringo’s version of “Love Me Do” destroyed or recorded over. EMI only had Andy White’s 11th September recording to use. It was the only remaining – and arguably the superior – version. When “Love Me Do” was released in the U.S. in April 1964, it was Andy White’s version that was used.

McArtney not mccartney!

A further mistake was made when 250 promo discs of “Love Me Do” were released, misspelling Paul’s name as McArtney; something he was used to in Mersey Beat. One of these discs was sold in October 2017 for $14,757, the ost expensive 7-inch single ever sold.

50th anniversary mistake

In a twist of fate – or was it an inside joke – when Apple decided to reissue “Love Me Do” on the 50th anniversary, they initially used Andy White’s version. They then had to quickly recall those records, so that Ringo’s version could be issued.

The final piece of evidence is one of omission. With the group’s popularity increasing, why did they not ask Ringo to re-record “Love Me Do” for the album? The conclusion is that Ringo’ version was most likely released by accident. That is not uncommon in the recording industry, even today. Nothing else really makes sense.  

REVIEW OF THE BEATLES’ FIRST PARLOPHONE SINGLE

Specially written for this Press Release By Tony Barrow. His weekly column OFF THE RECORD by “DISKER” appears each Saturday in THE LIVERPOOL ECHO AND EVENING EXPRESS

For many years the Tennessee town of Nashville has been known as the golden capital of America’s Country & Western music industry. In its own way, I guess, Liverpool has become the British beat equivalent to Nashville for the city, deep in the heart of Z Cars country, boasts an almost incredible array of thriving rock ‘n’ roll beat groups.

WHINING HARMONICA

The most popular of these is THE BEATLES a group which deserves the nationwide following which its Parlophone recordings will surely bring. On the evidence of “LOVE ME DO” nobody can claim that THE BEATLES are a carbon of The Everlys, The Brooks, The Allisons, The Shadows or any other existing outfit. Theirs is a thoroughly distinctive vocal sound backed by the semi-plaintive, semi-impatient rasp and whine of John Lennon’s remarkably expressive harmonica plus a stout guitar and solid drum beat.

SIMPLY INFECTIOUS

The lyrics of this infectious, medium-paced ballad are simple and it is in this easy-to-remember simplicity that THE BEATLES can pin their well-founded hopes of hit parade headlines for their very first Parlophone outing.

ANOTHER PUNCHY VOCAL

The under-deck carries something much more than the traditional (albeit ungenerous) B side padding. “P.S. I LOVE YOU” is a bright, up-tempo ditty with another punchy John Lennon/Paul McCartney vocal and a smart, rhythmic backdrop which has a colourful Latin tint to it.    

IF YOU CAN’T BEET ‘EM……………..

Beetles did you say, George? Course I’ve heard of them. Your Grandfather (may he rest in peace) used to put down some powdery stuff to stop them coming in the house.”

“No, Grandma. BEATLES. With ‘A’ before the ‘T’”.

“Hay? No, I’m sure it was powdery stuff. And who ever heard of beetles supping tea?”

“BEATLES, Grandma. It’s a group………………..there are four of them……………..and they’re on Parlophone”.

“We haven’t got a phone in the parlour, George. Anyway I don’t want hear any more about them. They give me the creeps. Nasty big black things”.

“But they’re not black, Grandma………… They’re white …………. And they’re British!…..”

Finding the Fourth Beatle the story of the 23 drummers who put the beat into The Beatles
Finding the Fourth Beatle the story of the 23 drummers who put the beat into The Beatles

Find out more in Finding the Fourth Beatle

David Bedford

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