Black History Month: October 1962 – The Beatles back The Shades/ The Chants. Part 1

The Chants pose outside Liverpool Cathedral
The Chants pose outside Liverpool Cathedral

13th October 1962: The Beatles and The Shades/ Chants – Joe Ankrah, Eddie Ankrah, Edmund Amoo, Nat Smeda, Alan Harding

One of The Beatles’ favourite Liverpool bands was the all-vocal black harmony group, The Shades, who later became The Chants. The Beatles would, in fact, back them on three occasions in 1962. The group originated in the Liverpool 8 area. I met founding member Joe Ankrah, who told me how it began. (Featured in my book The Fab One Hundred and Four: The Evolution of The Beatles)

Joe Ankrah, founder member of The Chants
Joe Ankrah, founder member of The Chants

“My father was the organist and choir master at the African Churches Mission. My brother Edmund and I were in the choir there.  A lot of my upbringing with my dad and the church, I did want to make something of myself.”

Joe attended Upper Park Street Primary School and then went on to Wellington Road Secondary Modern. “When I left school, I wanted to be an artist, as I was quite good at art,” Joe said. “There was a huge gap in opportunities between black people and white people. My dad was good at drawing, and when he was in the army, he was a draughtsman. He did all kinds of rubbish jobs, and ended up as a ship’s fitter over at Cammell Laird.  

“Doing our moves”

“So I left school and suddenly, there were no friends and nothing to do. I decided that there was no way I was going to work in a chippy or something like that. So I put my portfolio together and headed for town and tried to get a job as an artist. It was possible back then, because posters and advertising hoardings were all painted by hand. However, of course, that kind of artwork was dying out and being replaced by photography and new ways of printing. So I found myself out of work, and bumming around.    

“One of our enjoyments was going to the Rialto, which was a cinema.It also had a ballroom where we used to go and listen to music and dance. So we would head down there on a Monday night, all dressed up, stand around the ballroom, doing our moves.

rock around the clock

There was a movie coming on called Rock Around The Clock. We watched this and I was impressed with them, even though it was really about Bill Haley. I just realised that I wanted to start a group, and particularly a vocal-harmony group. My brother Edmund and I were bumming around. Because my dad had been a choirmaster at the church, I knew about harmony.”

Apart for singing in their cellar, they had performed a few times at Stanley House. This was especially when his mother grew sick of them! There was a gang culture developing in Toxteth, as Joe explained: “There was the J’s and the Shines. The J’s were the John Bull’s (John Bull was a political character who symbolised British culture), the white guys. We were the Shines, because our skin was shiny.

cellars and American g.i.S

Joe continued: “I told them we were going to form a group and we started to practice in our cellar. I knew all the harmonies off by heart and that’s how we evolved. People used to come around to the house and we would be singing on the corner. And even when we would be rehearsing, there would be big crowds standing outside the house listening. Several American singers influenced us, and here we had an advantage. I have three aunties–Grace, Adah and Uzor–who were courting American GIs stationed at Burtonwood, just outside of Liverpool. They would bring their records down to my grandmother’s house and we would listen to them.

“We were bored with it eventually. What were we doing? Where were we going? All we seemed to do was rehearse. During one of those periods where we weren’t singing or performing, I found out that Little Richard was visiting Liverpool.”

“we didn’t know about the cavern”

Joe made an interesting observation about the music scene in Liverpool. This showed how the black and white communities were still segregated in the Sixties. “We didn’t know that there was a live music scene in Liverpool,” observed Joe. “We didn’t know about the Cavern and clubs like that. I wouldn’t have known how to get into the clubs and you wouldn’t see a black person in town then. I had no reason to go into town, so I didn’t know what was going on there.

little richard

“I was a big fan of Little Richard and I had some communication with him. He told me he was staying at the Adelphi and to come and meet him. I went down and he spoke to me. ‘Hey man, I’m doing a thing at the Tower, a Mersey show’, so I went to see him live.”

The show was on 12th October 1962 at the Tower Ballroom, New Brighton. One of Brian Epstein’s marketing ideas was to have The Beatles playing second to some of the biggest names around.  

the beatles

“I was backstage most of the time because I came with Little Richard,” recalled Joe. The Beatles were on and Little Richard was doing his famous walking around the balcony, singing all of his songs. So we were back by his dressing room and everyone was around Little Richard. I was just standing there, not trying to get near him. These two guys were there and asked me what I was doing there. So I told them I was there to see Little Richard. I asked them what they were doing there, and they told me they’d be on stage.”

Little Richard with The Beatles, The Chants and Derry Wilkie at New Brighton's Tower Ballroom
Little Richard with The Beatles, The Chants and Derry Wilkie at New Brighton’s Tower Ballroom

Without realising it, Joe was talking to John Lennon and Paul McCartney. They were also queuing up to meet their hero. Joe didn’t know most of the groups, or even their names. For that reason, he hadn’t recognised John and Paul.  

 “I suppose I may have vaguely heard of the Cavern,” Joe said. “But even if we went into town at night time and tried to get into any of the clubs, we were turned away. We just accepted it back then.  That was how it was, and it was the way it was. We had our photograph taken with Little Richard and The Beatles, plus Derry Wilkie and Sugar Dean.

“come down to the cavern”

“I told John and Paul that I was in a band and they laughed and asked what we played. I told them we don’t, we just sing. They couldn’t quite grasp it. ‘Why don’t you come down to one of the afternoon sessions at The Cavern, and we’ll listen to your band.

And so they did..………… Part 2 coming next

Fab one hundred and Four: The Evolution of The Beatles
Fab one hundred and Four: The Evolution of The Beatles

This is an excerpt from my second book, “The Fab One Hundred and Four: The Evolution of The Beatles”.

David Bedford

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18th October 1957: Paul McCartney’s debut with The Quarrymen (or was it?)

The Quarrymen performing at New Clubmoor Hall
The Quarrymen performing at New Clubmoor Hall

Was This Paul McCartney’s Debut with The Quarrymen? Colin Hanton says No!

For years we have accepted that Paul made his debut at New Clubmoor Hall on 18th October 1957. However, I spoke to Quarrymen drummer Colin Hanton who says that can’t be right.

“All I knew was that one day Paul turned up, and Rod had left by then. His parents were giving him some grief about homework and not messing about with these silly boys and the music.”

Charlie McBain and Wilson hall

“I have my doubts about Paul’s debut being at Clubmoor,” said Colin. “It was Wilson Hall before Clubmoor, which was run by the same guy Charlie McBain. We did a paid gig at Wilson Hall after Clubmoor, but we appeared before it too.”

st. peter’s church hall

St Peter's Church Hall, where The Quarrymen played with Paul McCartney
St Peter’s Church Hall, where The Quarrymen played with Paul McCartney (copyright David Bedford)

Colin says that after John and Paul met, they played at the hall regularly. This was before playing Wilson Hall or New Clubmoor Hall. “After the summer fete in July ‘57, we used to play a lot at St. Peters church hall on a Saturday night. The guy had no microphone for us, and we kept asking for one. The Saturday dance became very big and they were getting all of their friends from school to come.”

A memory then springs to Colin’s mind. “I’ve just remembered: Paul was there. He said to John, there was no mic and he had been promised there would be a microphone. We got there late afternoon to set up, and John was looking round and there was no mic. The guy said he couldn’t get one. John argued with the guy who said he hadn’t been able to get a microphone.

paul mccartney

“Paul said, ‘He’s rattled now, because he’s whistling’ and so that was that. John decided we were not playing and we walked out, which was a bit of a mistake. I went home with my drums, and then back to the hall to look for the others. I got to the door and asked if John and the lads were there. The guy said, ‘no, and he’ll never get back in here!’

“This was soon after the fete and we used to rehearse there too. They had a dance evening with a record player there by the stage, which was cranked up to full volume. Then they danced the usual three waltzes and three quick steps and then The Quarrymen would play.”

From St. Peter’s Church Hall, the next step was to Wilson Hall, Garston.

Wilson hall

“This is how we got into Wilson Hall. Charlie McBain had a good system whereby he had a 6-piece dance band/ orchestra who would play and then want a 45-minute break to go to the pub. In the past he put the record player on, but he decided to have a skiffle contest. All he needed were 5 or 6 groups.

“You needed to pay two shillings and sixpence to get in. At 4 or 5 people a group, and 5 or 6 groups: a great idea and he was quids in. John said, ‘I’m not paying that, we’re here for the competition’. Paul said, ‘the prize is £1, so just pay the money then we’ll split the winnings’. We didn’t win!” However, it worked as an audition.

“McBain must have seen something, even though we didn’t win and that’s how we got our bookings with him. Nigel Walley was a bit of a manager and he got us 5 ten-shilling notes – £2.50 – for playing.

how they got to new clubmoor hall

New Clubmoor Hall, where The Quarrymen played on 18th October 1957
New Clubmoor Hall, where The Quarrymen played on 18th October 1957 (copyright David Bedford)

“We definitely did Wilson Hall before Clubmoor, and that’s how we got it, from the competition. That’s how we also then got up to Clubmoor. We were just desperate to get onstage. We got on at the Cavern – Paul wasn’t there because he was with scouts. It was Open Mic night which was how we got down there, and then we got paid for it. There was no way Paul joined in July and did not play until October at Clubmoor. We rehearsed and played in St. Peter’s Hall, and then appeared at the contest at Wilson Hall.

the locarno

“We also went to the Locarno, another of the endless round of talent contests. There was a poster at the back for the following week for singers only, so Paul said to John, ‘why don’t we go in for it’, but John said, ‘no we’re a group’. John wasn’t interested in getting up on his own, just for the group. I think John would have been happy to keep doing what we were doing.”

Playing at New Clubmoor Hall, and the famous photograph showed how having Paul in the group had changed the balance.

mccartney gets john lennon into a suit

How New Clubmoor Hall celebrated John and Paul playing there in 1957
How New Clubmoor Hall celebrated John and Paul playing there in 1957 (copyright David Bedford)

“Paul never challenged John’s authority, but he was very diplomatic, very subtle. He always got his own way, but with subtle means. I remember at the start Paul wanted to smarten the Quarrymen up. He never said let’s get jackets, he just said to John, ‘I’m going to wear a jacket’. He didn’t say that we should wear one – it was sort of oatmeal colour. So, of course, John went out and got one too. So Paul got John dressed up without having a row or telling him to do it. And that was for the Wilson Hall gig, before the Clubmoor one. So it certainly wasn’t the first time Paul played with us. Maybe the first time in those jackets, so again, we played Wilson Hall before Clubmoor.”

Conclusion? Paul’s appearance at New Clubmoor Hall was probably the first time Paul played and The Quarrymen were paid! It was certainly not the first time he played with them.

Liddypool: Birthplace of The Beatles by David Bedford
Liddypool: Birthplace of The Beatles by David Bedford

Taken from my interview with Colin Hanton for Liddypool (now in its third edition)

Colin still plays drums with The Quarrymen (photographed in St Peter's Church Hall)
Colin still plays drums with The Quarrymen (photographed in St Peter’s Church Hall)

Colin Hanton has a new book out called “Pre:Fab“, which is a great read, and being turned into a documentary.

David Bedford

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4th September 1962 in Beatles history – The Fab Four; “Love Me Don’t”

The Beatles at Abbey Road on 4th September 1962; Ringo Starr, George Harrison, John Lennon and Paul McCartney
The Beatles at “Abbey Road” on 4th September 1962; Ringo Starr, George Harrison, John Lennon and Paul McCartney

the beatles at EMI Studios, Abbey Road – How Did They Do It?  

Ringo was now The Beatles’ drummer. But that was just the start to his career with the group. All was going smoothly until the first EMI recording session on 4th September 1962, just after his debut. The new Fab Four headed to the EMI Studios in Abbey Road to record their first single.

EMI Studios, Abbey Road, where The Beatles recorded
EMI Studios, Abbey Road, where The Beatles recorded

Brian Epstein reported for Mersey Beat, and his story, carried anonymously at his request. He told how they had met together at Liverpool Airport at 8.15am for their flight to London. Neil drove the equipment van on that long journey to the capital, though not in the midst of a snowstorm. This time, it was just torrential rain, but still not for the faint-hearted. Brian even had his “boys” pose for a group photograph on the tarmac, but none of them looked impressed.

Paul, John, Ringo and George at Speke Airport, ready to go to London. Ringo still has his grey streak, and George a black eye
Paul, John, Ringo and George at Speke Airport, ready to go to London. Ringo still has his grey streak, and George a black eye

Ringo sported his now-famous grey streak and George tried to appear oblivious to his black eye. The flight was not very smooth due to the weather, which did little to comfort George. He had a aversion to flying. They eventually arrived in London and checked into their hotel in Chelsea before heading to EMI Studios in Abbey Road.

Beatles! How Did You Do With It?

Ringo, Paul, John and George pose at EMI Studios on 4th September 1962
Ringo, Paul, John and George pose at EMI Studios on 4th September 1962

There was an important aim for the day, and it wasn’t to make a record. After the June session, it wasn’t just Pete’s drumming George Martin didn’t like. He wasn’t impressed with the songs or the arrangements, and the overall quality from the group was below-par. George Martin had told The Beatles to work over the summer on “How Do You Do It?”. (The Mitch Murray song George had sent them in late July) and “Love Me Do”.

Was This A Recording Session?

The normal practice was that a session drummer would only be hired when a song was ready to record. On 4th September, The Beatles were nowhere near ready to record! It therefore made no economic sense to pay for a session drummer to stand around all day. Session drummers usually worked on three-hour sessions and, in that time, they could learn and record up to four songs. For producer Martin, there was still a lot of work to do with the group; they weren’t ready to record the songs yet: they didn’t even know which songs they were going to record.

Possibly of more importance was the fact that Dezo Hoffman had been booked to photograph The Beatles. Irrespective of Ringo turning up, George Martin would still be hiring a session drummer for the record. It wouldn’t matter how well Ringo performed. The evidence therefore suggests that this was not a recording session from which a record would result.

How Should We Do It?

John and Paul are photographed in EMI Studios by Dezo Hoffmann
John and Paul are photographed in EMI Studios by Dezo Hoffman

The Beatles walked into the studio and were met by their trusted roadie ‘Nell’. There was also their ‘headmaster’ George Martin and producer Ron Richards, the latter two having contributed to Pete Best’s downfall. The Beatles must have been nervous as they readied themselves for the session. “And so the moment came when all was set to make a first disc. A first disc with the world’s greatest recording organization,” said a proud Brian Epstein. No pressure on the boys, then.

The afternoon session, a three-hour rehearsal slot which ran from 2pm to 5pm. This was followed by another three hours of recording between 7pm and 10pm. According to Brian, it wasn’t an easy afternoon for The Beatles. “The rehearsal part of the session began,” he recalled. “It was a long and hard afternoon’s work. Six numbers were considered and eventually two were selected for the actual recording session in the evening.” They definitely would have rehearsed “How Do You Do It?” and “Love Me Do”, though the identity of the other four songs was not noted. They are thought to be “Ask Me Why”, “P.S. I Love You”, “Please Please Me” and a new original song in their repertoire, “Tip of My Tongue”. All apart from the first song were Lennon/McCartney originals. Their mission was clear: record their own songs. And this is where the conflict arose.

“how do you do it?”

George Martin wanted them to release the Mitch Murray song “How Do You Do It?”, which the group had been working on over the summer. But they were equally intent on recording only their own songs. They had been working on “Love Me Do” as Martin had asked them to do. Plus, they had “Love Me Do”, which had been recorded in June, but was now improved. What resulted was a much brighter, more marketable song. But there were other songs in contention, too, which they wanted to perform for Martin.

the beatles session in june 1962

The June session had to be scrubbed as far as making a record was concerned. However, George Martin still included those four songs in their total of six to record per the contract. This explains why no session drummer was present that day. They only had two songs left to fulfil the terms of the contract. He wasn’t going to squander money for a session drummer when they hadn’t even decided which songs they were going to release.

George Martin knew he had to start again and Ringo seemed to confirm this. “The response to us at EMI was okay, because we’d done the auditions and George Martin was willing to take a chance. On my first visit in September, we just ran through some tracks for George Martin. We even did ‘Please Please Me’”. Norman ‘John Lennon called me Normal’ Smith, who had been involved in the June session, returned for this session. He remembers that “it was really all John and George and Paul. Ringo had just joined and was put right at the back, being used rather like a puppet.” What mattered at this session was having John, Paul and George up to speed on the songs. George Martin was still planning to hire a session drummer.  

who was andy white replacing?

Was Andy White booked to replace Pete Best? No. White confirmed that he was only called in after the 4th September session. This 4th September was a test session, and George Martin probably had a plan for a final recording date. That is when the session drummer would be employed. That date became 11th September. In Martin’s mind, the session drummer was still going to be brought in to replace Pete. However, it was suddenly Ringo, not Pete, who was the problem. As it turned out, Andy White was booked to replace Ringo. However, just as Pete was kept in the dark about the Decca failure, nobody thought to inform Ringo when he was being replaced.

First Rehearsal Session: 2pm – 5pm

George Harrison photographed by Dezo Hoffmann. You can see the black eye he received at The Cavern
George Harrison photographed by Dezo Hoffman. You can see the black eye he received at The Cavern

As the clock headed towards 2pm, they were ready to start rehearsing. The afternoon session of six songs included “How Do You Do It?” and “Love Me Do”, plus “Please, Please Me” as Ringo had mentioned, “P.S. I Love You” and probably “Ask Me Why” and “Tip Of My Tongue”. They were intent on winning over George Martin, especially with their own songs.

But despite their efforts, Martin was still not impressed with “Love Me Do”, even with their changes. He didn’t hold back in his judgment of “Please Please Me” either. “They played me ‘Please Please Me’ but it was very slow and rather dreary. I told them if they doubled the speed it might be interesting”. And so George Martin’s influential role with The Beatles had begun. “I told them what beginning and what ending to put on it,” Martin added.

How Did We Do It?

After the three hours of rehearsal, George Martin took The Beatles out for a meal. He got to know them better as people. More than their songs, he liked their personalities, and regaled them with tales about recording the Goons. But there was still work to be done on the four songs set to be recorded. However, Martin considered only two songs sufficiently progressed enough for recording: “How Do You Do It?” and “Love Me Do”.

The recording of “How Do You Do It?” was completed quite quickly, in only a couple of takes. Though it was a good performance, it lacks enthusiasm and belief. There is no soul in the singing and playing, and they are clearly not interested in the song.

“LOVE ME DO”

“Love Me Do” was a different matter, Brian observed, as the song was “no simple matter. Everyone was anxious to attain a perfect sound, which would reproduce The Beatles’ unique qualities exactly”. As in June, this Lennon/McCartney original was causing problems for the recording engineers. Brian recalled it took around 15 takes to record, and that “John’s mouth (on harmonica) was numb with playing”. In fact, there were more than 15 takes for just the rhythm track, with the vocals added separately.

Why Should We Do It?

Once they had completed several takes of “Love Me Do”, there was a confrontation which has been remembered in different ways by those present.

It was Lennon, as group leader, who confronted George Martin. “Look, George, I have to tell you, we really think that song is crap”. Martin’s face was obviously shocked, so John qualified his statement. “I mean, it may be all right, but it’s just not the kind of thing we want to do”. George Martin quickly responded: “Well, exactly what is it you want to do?” Lennon realised this was his chance. “We want to record our own material, not some soft bit of fluff written by someone else”. Martin, who was obviously fond of the Liverpudlians, gave a wry smile. “I’ll tell you what, John,” he replied. “When you can write a song as good as that one, then I’ll record it.”

They’ve Got some cheek

What could Lennon say? Norman Smith was obviously amused by it all. “They’ve got some cheek, that lot,” he said. “I reckon that’s what got them this far, though?”

Paul and John were later to tell US journalist Larry Kane, what they felt about their choice. “‘Love Me Do,’ Larry, wasn’t the best song we ever wrote. But it really put us out front,” McCartney told Kane on the 1965 Beatles tour. John was also emphatic. “In Hamburg we clicked. At the Cavern we clicked. But if you want to know when we knew we’d arrived,” Lennon said, “it was getting in the charts with ‘Love Me Do.’ That was the one. It gave us somewhere to go.”

Um, Without Ringo

Ringo Starr endured a tough day at EMI Studios on 4th September 1962
Ringo Starr endured a tough day at EMI Studios on 4th September 1962

Norman Smith remembered the session, too. “They started to do ‘Love Me Do’ again, this time with George Martin”. Smith looked back at the session from June, and the problem again was the drummer. “Ringo Starr’s drumming did not impress. And so Ringo was taken off and replaced by a session drummer.” This explained why it took more than 15 attempts to record “Love Me Do”.

george martin didn’t like ringo

Beatles Producer George Martin in EMI Studios
Beatles Producer George Martin in EMI Studios

Paul explained what happened. “Horror of horrors! George Martin didn’t like Ringo. Ringo at that point was not that steady on time.” Were they in a better place than with Pete? “Now he (Ringo) is rock steady,” Paul stated some thirty years later. “It’s always been his greatest attribute. But, to George (Martin), he was not as pinpoint as a session guy would be. So, Ringo got blown off the first record.” Actually, no he didn’t!

Paul continued: “George (Martin) did the ‘Can I see you for a moment, boys?’ ‘Yeah?’ ‘Um… without Ringo’. He said, ‘I would like to bring another drummer in for this record’. George got his way and Ringo didn’t drum on the first single.” Norman Smith said: “I’ve a feeling that Paul wasn’t too happy with Ringo’s drumming, and felt that it could be better. He didn’t make too good a job of it. I remember too that there was a fair bit of editing to be done.”

“paul was starting to get annoyed with him”

Geoff Emerick remembered the problems surrounding the recording of “Love Me Do”. “The Beatles seemed to have a lot of trouble getting this one (“Love Me Do”) right, though,” he said. They obviously hadn’t rehearsed it as much as the other song. “Ringo was having difficulty maintaining a steady beat”. More telling was the dissention in the group, as “Paul was starting get annoyed with him”. They hoped that each take they finished would be good enough for George Martin. However, Emerick witnessed the conversations between Martin and Smith, where Martin criticized Ringo’s “unsteady drumming.”

When the session was finally over, George Martin appeared to be frustrated. Norman Smith then turned to Geoff Emerick to discuss the session. Smith said, “George has decided to bring in a session drummer when they come in again next week, so we shouldn’t have those problems again.”

“i didn’t rate ringo very highly”

George Martin’s opinion was based on what he had seen and heard. “I didn’t rate Ringo very highly,” he said. “He couldn’t do a drum roll – and still can’t – though he’s improved a lot since. Andy was the kind of drummer I needed. Ringo was only used to ballrooms. It was obviously best to use someone with experience.”

Ron Richards and George Martin hadn’t liked Pete Best’s drumming in June. Now, three months later, Martin and Norman Smith cared little for Ringo’s drumming. The Beatles knew there was one more recording session in which they could make their debut single. However, it would be without Ringo on drums. Was this really due to Ringo’s drumming quality? Or because it was record company practice to use session drummers at first? George Martin’s mind was made that he would be using a session drummer.

We shouldn’t be too harsh on Pete or Ringo, even if the producer had reservations about both drummers.  

Ringo was in for a shock

Finding the Fourth Beatle the story of the 23 drummers who put the beat into The Beatles
Finding the Fourth Beatle the story of the 23 drummers who put the beat into The Beatles

After the 4th September session, there were two important decisions to address. First, a session drummer was still needed to make the record. And second, another Lennon/McCartney original was needed to replace “How Do You Do It?”. They had a week to prepare for their final session, but nobody thought to inform Ringo of George Martin’s decision. He was in for a very big shock.  

Excerpt taken from Finding the Fourth Beatle

David Bedford

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Liverpool International Beatleweek 2019 – What to do

Visit the statue of John Lennon at St George's Hall, Liverpool
Visit the statue of John Lennon at St George’s Hall, Liverpool

What to do in Liverpool at International Beatleweek 2019

Coming to Liverpool this week for the Liverpool International Beatleweek? Then there are certain things you need to do on this visit:

Statue of John Lennon

Statue of John Lennon on display in St George's hall until the end of August
Sculptor Laura Lian with her sculpture of John Lennon on display

Inside St. George’s Hall, whicb is worth a visit anyway, is a new statue of John Lennon, only on display until the end of August. Don’t miss it! You will be able to hear my interview with Laura on our podcast, Liddypod, next week.

Double Fantasy at Museum of Liverpool

Double Fantasy exhibit at the Museum of Liverpool
The amazing Double Fantasy exhibit at the Museum of Liverpool

An absolute must is the Double Fantasy exhibit at the Museum of Liverpool at the Pier Head. With many exhibits from Yoko Ono, this unique exhibition about John and Yoko has to be seen. Uniquely curated for Liverpool, it is ending in November. An incredible exhibition.

BBC RADIO MERSEYSIDE – Sunday 8.30am

On Sunday morning at 8.30am on BBC Radio Merseyside, I have recorded a 30 minute programme about The Beatles and religion/spirituality, listening to some great Beatles songs too. It is on 95.8 FM.

Convention at the Adelphi

Finding the Fourth Beatle the story of the 23 drummers who put the beat into The Beatles
Finding the Fourth Beatle the story of the 23 drummers who put the beat into The Beatles

Don’t miss the convention at the Adelphi on Sunday. I will be there with a few copies of Liddypool, some Fab one hundred and Four plus my new book, Finding the Fourth Beatle.

Find out about the 23 drummers who put the Beat in The Beatles!

And, if you haven’t discovered my crime faction book yet, “Inspector Rocke”, I will have a few copies of that one too.

Come and say hello!

Other Must-Do Must-See places

Don’t forget to do the Ferry cross the Mersey, the Beatles Story (Royal Albert Dock) and the British Music Experience at the Pier Head, which has the “Lost Beatles Tapes” this weekend.

There is also the Magical Beatles Museum on Mathew Street, with many great exhibits linked to the Casbah (which is celebrating its 60th anniversary this weekend!)

Of course, I have to mention The Cavern, who continue to put on an incredible Beatles festival every year. Well done everyone involved.

Plus the many wonders of Liverpool itself!

David Bedford

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The Beatles are Dead! Long Live the Fab Four!

The Fab Four - John, Ringo, George and Paul
The Fab Four – John, Ringo, George and Paul

Were The Beatles and the Fab Four different? Much has been made of the drumming skills of Pete Best and Ringo Starr, and opinions are often at odds. Each has been praised for his talent, or criticized for his lack of it.

Pete Best was removed from The Beatles because of George Martin’s comments at the end of their June 1962 audition. Was it a clash of personalities, haircuts and the myriad other reasons given for Pete’s “dismissal”? Or was there something more fundamental going on which may have gone unnoticed? David Harris, Brian Epstein’s lawyer, confirmed that when Pete Best left, The Beatles effectively disbanded and then re-formed with Ringo. Was this more than just a legal sleight of hand that happened in the blink of an eye?

There are certain crisis points in Beatles history where the evolution of the group required a personnel change.

The Quarrymen in the parade on 6th July 1957
The Quarrymen, including John, on the wagon during the parade on 6th July 1957

John lennon needs paul mccartney

On 6th July 1957, Paul McCartney watched The Quarrymen perform a mixture of country, rock ‘n’ roll and skiffle. Yet rock ‘n’ roll would always remain John’s first love. The Quarrymen lacked the expertise to make that musical leap from a skiffle group to rock ‘n’ roll. John knew that if they were going to become a rock ‘n’ roll group, they needed more skilled musicians. Thankfully, Ivan Vaughan introduced him to his mutual friend Paul McCartney. All John had to decide was whether they would continue playing just for fun, or take themselves more seriously. Should they bring in a musician who had the talent to improve them?

By inviting Paul to join The Quarrymen, John knew that most of his friends would soon be leaving. Rock ‘n’ roll bands didn’t need a banjo, washboard or tea-chest bass. That reality hastened the departures of Rod Davis, Pete Shotton and Len Garry.

john and paul need George harrison

Paul McCartney, John Lennon and george Harrison as Japage 3
Paul McCartney, John Lennon and george Harrison as Japage 3

What John and Paul realised after Paul botched his solo on “Guitar Boogie” was that they needed a lead guitarist. Thankfully, Paul knew someone who could amply assume the role: George Harrison. Five months after John met Paul, George had replaced Eric Griffiths, and Rod, Pete and Len had departed. Only Colin Hanton, the drummer, remained. The nucleus of The Beatles was in place; John, Paul and George were now together.

The Quarrymen Are Dead: Long Live The Silver Beatles/Silver Beats/The Beatals

Rod Murray and Stuart Sutcliffe
Rod Murray and Stuart Sutcliffe copyright Rod Murray

John, Paul and George were desperate to have their own rock ‘n’ roll group. They offered a spot in the band to Rod Murray or Stu Sutcliffe, depending on who could get a bass. Stu joined the group when he purchased a bass with the proceeds from the sale of one of his paintings.

john, paul, George and stu need a drummer

The Beatles - John Lennon, George Harrison, Pete Best, Paul McCartney and Stuart Sutcliffe in Hamburg 1960
The Beatles – John Lennon, George Harrison, Pete Best, Paul McCartney and Stuart Sutcliffe in Hamburg 1960

As they ditched the Quarrymen name, John, Paul, George and Stu needed a drummer. Their new manager, Allan Williams, recruited Tommy Moore, and, at long last, they were a rock ‘n’ roll group. Through Tommy first, then Norman Chapman, the boys were able to convince Williams to get them bookings. Later, with new drummer Pete Best on board, to send them to Hamburg.

The Silver Beatles/Silver Beats/The Beatals Are Dead: Long Live The Beatles

The Silver Beatles - Stuart Sutcliffe, John Lennon, Paul McCartney, Johnny Hutchinson and George Harrison
The Silver Beatles – Stuart Sutcliffe, John Lennon, Paul McCartney, Johnny Hutchinson and George Harrison

With Pete now in the group, The Beatles became the greatest rock ‘n’ roll group Liverpool or Hamburg had seen. As Beatles promoter Sam Leach observed; “When The Beatles came back from Hamburg, they were the greatest rock ‘n’ roll band anyone had seen. Only those of us on the scene then saw The Beatles at their best: they were pure rock. They lost some of that when Brian put them in suits, but it worked, and you can’t argue with it.” 

there was nobody to touch us in britain

As John Lennon said: “We were four guys. I met Paul and said, do you want to join my band, and then George joined and Ringo joined. We were just a band who made it very,  very big; that’s all. Our best work was never recorded. In Liverpool, Hamburg and around the dance halls, and what we generated was fantastic when we played straight rock. There was nobody to touch us in Britain, but as soon as we made it, the edges were knocked off. Brian put us in suits and all that, and we were very successful, but we sold out. Our music was dead before we even went on the theatre tour of Britain.” (Rolling Stone Interview).

The Beatles did their best work in Liverpool and Hamburg. John is acknowledging that the group was at its best with Pete on drums. This is a point easily confirmed by any fan who saw the band perform in Liverpool or Hamburg. There was no one to touch them. However, John’s comments need to be taken in context. He loved those early days playing rock ‘n’ roll, but his words shouldn’t be viewed as a criticism of Ringo.  

john, paul, George and pete don’t need stu

The Beatles at the Cavern - Pete, George, John and Paul
The Beatles at the Cavern – Pete, George, John and Paul

This transitional period also saw a crucial change on bass guitar. Although Stu Sutcliffe was a decent rock ‘n’ roll bassist, they needed Paul McCartney. With Paul on bass, they could take it up a notch.    

1962: Rocked in: Popped Out – The Beatles Are Dead: Long Live The Fab Four

What we witnessed during the summer of 1962 was the end of The Beatles. They were the great rock ‘n’ roll group that had conquered Liverpool and Hamburg. Through Pete Best’s driving beat, Paul’s thumping bass, John’s fiery rhythm and George’s infectious rock ‘n’ roll guitar licks. What we then witnessed, with the introduction of Ringo, was the birth of the Fab Four. This new pop group would conquer the world. In 1962, they rocked in the year, but ‘popped’ it out in the charts with their new brand of music. They were at last achieving Brian Epstein’s vision of a polished, theatrically-astute and aesthetic pop group.

When Brian first saw them on at the Cavern, they were scruffy rebels in black leather. They were rocking the joint while eating, drinking, smoking and clowning around. When they were presented to the music press in 1962, they were four polite, cheeky, suited Liverpool lads. Brian’s vision of musical theatre was coming to fruition. His “boys” were now presentable in stage costumes with a rehearsed script and a set list. They even bowed at the end of their performances, much like a curtain call for a play. Their shows became carefully-crafted pieces of musical theatre. This was a huge leap into the unknown for the band, but one fully-orchestrated by Brian. The Beatles had evolved into the Fab Four. We couldn’t have both; one of them had to go, and the old style Beatles took the fall.

Things didn’t quite work with Pete, even though he was perfect for The Beatles were doing at the time. The Beatles were playing covers of other artists’ songs. There were certainly no documented issues raised prior to George Martin’s comments at EMI in June 1962. Ringo wasn’t even the first choice to replace Pete. What would The Beatles have been like had they hired Bobby Graham, Ritchie Galvin, Johnny Hutchinson ?

the fab four is born

Beatles drummer Ringo Starr joined The Beatles in August 1962
Beatles drummer Ringo Starr joined The Beatles in August 1962

Whatever magic potion he possessed, Ringo fit in perfectly with John, Paul and George, and it worked; history confirms that. As with any team, The Beatles proved that the whole was greater than the sum of its parts. All that mattered was how they worked together. The group would always be greater than the individuals, regardless of talent. None of the Beatles was considered to be the best at his chosen instrument in Liverpool. Together they were greater than any musical team had even been, and likely will ever be. 

john, paul and George ask ringo

“Pete Best was good, but a bit limited,” said Paul. “You can hear the difference on the Anthology tapes. When Ringo joins us, we get a bit more kick, a few more imaginative breaks, and the band settles. So the new combination was perfect: Ringo with his very solid beat, laconic wit and Buster Keaton-like charm; John with his sharp wit and his rock ‘n’ rolliness, but also his other, quite soft side; George, with his great instrumental ability and who could sing some good rock ‘n’ roll. And then I could do a bit of singing and playing some rock ‘n’ roll and some softer numbers.” (Anthology).

Was Pete Best a Good Drummer?

In “Finding the Fourth Beatle“, we have analysed Pete’s drumming on the Tony Sheridan recordings from June 1961. On the accompanying CD, you can also hear the Decca audition from January 1962. Pete was a more-than-capable player. Extensive research conducted with various Merseybeat drummers about Pete’s drumming resulted in high praise from so many of them.

pete was a great drummer

Billy Kinsley played in the Pete Best Band. He is adamant that they didn’t get rid of Pete because he was a poor drummer. “You ask drummers who were around at the time,” said Billy, “and they say that Pete was a great drummer. I never had a problem at all with Pete. He was great, absolutely superb. Nothing against Ringo, but there was nothing wrong with Pete. However, John, Paul and George knew nothing about the recording business, and nor did Brian. If you saw any of those gigs at the Cavern , all the girls were screaming for Pete. That’s what The Beatles was all about; those three crazy guys and the moody guy who didn’t smile or was quiet, but it worked. Getting rid of him didn’t make sense to us.

From You To Me

So if fellow musicians didn’t see a problem with Pete, what was it? Was there a power shift within The Beatles from John to Paul. Paul’s repertoire and more eclectic song choices would appeal to a wider variety of audiences. Theywere better suited to a group who wanted to make, and sell, records. When it came to covering some of the greatest rock ‘n’ roll and R&B songs, The Beatles with Pete were second to none. John admitted that.

from rock to pop, beatles to fab four

However, for a group writing its own commercial pop songs, a change of direction was needed, and that meant a drummer who was used to playing a more varied song selection. They found that drummer in Ringo Starr, who had performed with Rory Storm and The Hurricanes at the Butlin’s holiday camps, entertaining audiences other than those at the Cavern and the clubs of Liverpool. Brian Epstein was desperately trying to get The Beatles away from those clubs, and John, Paul and George knew that.  

The Beatles John Paul George and Ringo - The Fab Four
The Beatles John Paul George and Ringo – The Fab Four

So, when Ringo joined the group, they went from being The Beatles, the rock ‘n’ roll kings, to the Fab Four, the greatest-ever pop group. It is possible that, by changing drummers, John was trying to suggest that The Beatles were dead; long live the Fab Four. Both were great bands in their own right, and each had a great drummer in his own right. Pete Best helped The Beatles conquer Liverpool and Hamburg, and also secure Brian Epstein, the manager who would make them famous and attain the record deal they craved. For his contributions, Pete Best should be celebrated and thanked.

Read the full story in Finding the Fourth Beatle.

It is ok to celebrate and like both Pete Best and Ringo Starr; The Beatles were dead: Long Live the Fab Four.

David Bedford

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John, Paul and George Find the Fourth Beatle: Ringo debuts with The Beatles

The Beatles John Paul George and Ringo - The Fab Four
The Beatles: John, Paul, George and Ringo – The Fab Four

“it don’t come easy”: how ringo’s debut with The beatles happened

August 1962 was a turbulent month for The Beatles. In trying to find a replacement for Pete Best, Brian had approached Bobby Graham, Ritchie Galvin and Johnny Hutchinson. Ringo, the drummer from Rory Storm and the Hurricanes with whom they had played before, agreed to join The Beatles. His debut was at Hulme Hall in the Victorian Model Village of Port Sunlight, Wirral, on 18th August 1962. The Fab Four was born.

Hulme Hall, where Ringo made his debut with The Beatles
Hulme Hall, where Ringo made his debut with The Beatles

how the beatles got to Hulme hall

Fab one hundred and Four: The Evolution of The Beatles
Fab one hundred and Four: The Evolution of The Beatles

In an interview for The Fab one hundred and Four, Ian Hackett had suggested The Beatles for a previous dance. His father, Harry, booked the group for that legendary debut appearance of the first Fab Four line-up in August 1962. “Our home overlooked the Dell, a particularly lovely landscaped part of the village,” recalled Ian. “It was just a few yards from Hulme Hall, the Bridge Inn and the Men’s Club. While selling the Liverpool Echo outside Lever’s, Monty Lister, one of my customers, approached me. He was the editor of the Port Sunlight News, with an offer I couldn’t refuse.

Ticket for Ringo's debut with The Beatles at Hulme Hall
Ticket for Ringo’s debut with The Beatles at Hulme Hall

“Back in the spring of 1962, Harry, as Captain of the Golf Club, organised the Club’s annual dance. He chose Hulme Hall as the venue, July 7th as the date and The Modernaires, as the main band. Then he asked me if I could think of a band to fill in during the Modernaires’ break. I suggested The Beatles.

“On 7 July 1962, the Golf Club Dance came,” recalled Hackett, the first of four appearances by The Beatles.

“They went down really well with my friends, although dad got some complaints about The Beatles.” In spite of those complaints, they booked The Beatles to appear again on 18th August 1962. Little did they know how significant this day would be.

“we want pete”

Poster for Ringo's debut at Hulme Hall with The Beatles
Poster for Ringo’s debut at Hulme Hall with The Beatles

“By having The Beatles headliners at Hulme Hall on August 18th, this showed that not all the adults were hostile. But there was a mass female chanting of ‘We want Pete!’ when they introduced their new drummer.

“The make-up of the audience was different for this show,” recalled Ian, “as there were more young people than locals. The problem was that the local people were angry as the young interlopers wanted to show support for Pete Best. The Beatles never stood a chance. I was glad for this one that my dad took the flak, and not me!”

In spite of the audience reaction, Ian was impressed with The Beatles that night. “I loved their treatments of ‘Twist and Shout’ and ‘Besame Mucho’” he said. “John’s harmonica in general was great, but especially on Bruce Chanel’s ‘Hey Baby’. At that stage, they weren’t playing that many original songs.”

No photos are known to exist of The Beatles at Hulme Hall. However, I discovered a photo of Gerry and the Pacemakers performing there later in 1962.

Gerry and the Pacemakers on stage at Hulme Hall
Gerry and the Pacemakers on stage at Hulme Hall

ringo in the toilet!

Ringo, because of the animosity in the crowd, was not enjoying the night of his debut. “I ran into a miserable-looking Ringo in the gent’s toilet during the break,” recalled Ian. “I tried to cheer him up with a smile and an optimistic comment: ‘Don’t worry about tonight. Things can only get better.’ And it was not long before they did.” (David Bedford interview in The Fab one hundred and Four)

Finding the Fourth Beatle the story of the 23 drummers who put the beat into The Beatles
Finding the Fourth Beatle the story of the 23 drummers who put the beat into The Beatles

You can still visit the hall, though the stage is no longer there.

Discover more about Ringo joining The Beatles in Finding the Fourth Beatle, available in hardback, softback and ebook.

David Bedford

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How Ringo Starr became the Beatles Drummer – In His Own Words

The Fab Four - George, John, Ringo and Paul. This was Ringo's first photo shoot after he became The Beatles drummer
The Fab Four – George, John, Ringo and Paul

Ringo becomes The Beatles drummer

Over the years, the story of how Ringo Starr became The Beatles drummer has been told in so many ways. It has taken on mythical proportions and so created an amalgam of scenarios that, if you look hard enough, is the truth. We have to investigate and piece the events together as best we can with exact times and dates. As more “facts” emerge, it retells more versions of the events, confusing the story even further.

Ringo sits in with The Beatles for Pete Best

No evidence exists to show that The Beatles offered Ringo the drumming job in The Beatles before August 1962. On the few occasions when Pete Best couldn’t make it, Ringo was their go-to drummer. This meant that they got to know each other a little better, musically. They first made a record together in Hamburg back in October 1960. Ringo next sat in with The Beatles was at their Christmas Party on 27th December 1961. On this occasion, Best had asked him to play in his place.

The Beatles at the Cavern - Pete, George, John and Paul. Ringo replaced Pete Best as The Beatles drummer
The Beatles at the Cavern – Pete, George, John and Paul

Ringo also played on 5th February at the Cavern, plus 26th March at The Cavern at lunchtime. He then joined them at the Kingsway Club in Southport in the evening. They knew what he was like to play with, and enjoyed playing with him in the group. This must have been a significant factor.

Examining The Evidence

Although some suggest that it would always be Ringo, the evidence says otherwise. Whatever transpired before Ringo Starr became The Beatles drummer, he was the right choice.

How did it happen? How did Ringo become the Beatles drummer? The Fourth Beatle? There are countless stories and multiple, often conflicting, versions of events. What does the evidence tell us?

Ringo explains how he joined The Beatles

In November 1962, Ringo told music journalist Chris Hutchins of the New Musical Express how he became The Beatles drummer. This interview, complete with relevant times, dates and locations, took place just three months after Ringo had joined the group. This interview appeared in my book, The Fab One Hundred and Four: The Evolution of The Beatles.

Ringo sat in with The Beatles on four occasions over the previous year, with conversations about him joining the group. There is no evidence that The Beatles offered Ringo the job before the weekend of 10th August 1962. In the interview, Ringo made no allusions to this, even a short time after joining them. The evidence only supports Ringo’s version.  

Friday, 10th August 1962: 10, Admiral Grove

John and Paul asked George to contact Ringo to invite him to join The Beatles.

 Richy (Ringo) with his mother, Elsie. From playing the accordian, he became The Beatles drummer
Young Richy (Ringo) with his mother, Elsie

In an interview with Mersey Beat, Ringo’s mother Elsie recalled this as the first time she had met George Harrison. She explained why he had called. “Ringo was at Butlins when George came up to the house—I hadn’t met him before—and asked if Ritchie was home,” she said. “I told him he wasn’t, and he said, ‘Tell him we’re trying to get him to join us.’” 

George Harrison explains

George corroborated this. “I went round to Ringo’s house when he was playing at Butlins, sat and had some tea with his mother and said, ‘Next time, tell your Ringo to call me up because I want him to be in our group’.”  

Elsie’s comments confirm that she hadn’t met George before, so there is no evidence of a close friendship between George and Ringo at that point.

Ringo seems to verify this: “I found it harder to get close to George Harrison. As the youngest Beatle, he backed off rather than try to compete for the limelight with the extrovert John and Paul. George was the original Little Boy Lost.”  

Saturday, 11th August 1962: The Odd Spot Club and The Blue Angel

Ringo (centre) with Rory Storm and the Hurricanes. Ringo explains how he became The Beatles drummer
Ringo (centre) with Rory Storm and the Hurricanes

Ringo had returned to Liverpool from Butlin’s and later recalled how The Beatles asked him to join on this day. “One Saturday morning,” Ringo said, “Elsie said that George Harrison had called and would I go down to see them at the Hot Spot (sic)?” This was actually The Odd Spot in Bold Street, Liverpool. 

“It was my night off and I couldn’t think of a better way to spend it. During the break, John, Paul, and George invited me to join them at the Blue Angel later on. Pete Best wasn’t coming, they said. At the Blue Angel, they introduced me to Brian Epstein. We shook hands, and he seemed a bit surprised by my appearance. I had a beard and a gray streak in my hair then.” 

Ringo at the back, with the Eddie Clayton Skiffle Group. Roy Trafford explains how Ringo became The Beatles drummer
Ringo at the back, with the Eddie Clayton Skiffle Group. Roy Trafford, centre

Ringo, as he always did, discussed the offer with his best friend, Roy Trafford. “When Ringo was asked to join The Beatles, it was a surprise to him and he didn’t know which way to go,” Roy related, “so he asked me, ‘What do you think?’ I told him ‘what have you got to lose? Have a go. I don’t know whether I made a difference to his decision, but it definitely worked out for the best’.” (Read David’s full interview with Roy in Finding the Fourth Beatle) The key phrase is that ‘it was a surprise’ to Ringo showing that he had no expectation of joining The Beatles.

Tuesday, 14th August 1962: The Drive To Butlin’s?

Did Paul and John drive to Butlin’s to see Ringo? It is possible, but it was a long way—around 180 miles each way, and before there were motorways—with very little time to spare. We can’t be sure if they made the trip.

johnny guitar remembers

Johnny Guitar and Ringo.
Johnny Guitar and Ringo

There are eyewitnesses though as Johnny Guitar from the Hurricanes remembers seeing them there. “John and Paul knocked on the door to our caravan about ten o’clock one morning, and I was very surprised because John hated Butlin’s. Paul said, ‘We’ve come to ask Ringo to join us.’ We went into the camp and Rory said, ‘What are we going to do because this is mid-season and we can’t work without a drummer?’ Paul said, ‘Mr. Epstein would like Pete Best to play with you.’ We couldn’t stand in Ringo’s way ‘cause we knew The Beatles would be big. We went back to Liverpool and saw Pete, but he was so upset that he didn’t want to play with anybody’.”

Spencer Leigh verified with Johnny Guitar that John and Paul visited Butlin’s, Skegness. “Yes, Rory got a big shock when Ringo said he would leave, and so did I,” Johnny said. “It is possible that Ringo had been tipped the wink on his last visit to Liverpool, but we had no inkling of what was going on.”  This would fit with the visit to Liverpool the previous weekend, as Ringo described.

ringo doesn’t remember

However, Ringo denied seeing them at Butlin’s. “I don’t remember John coming over, which was in somebody’s book.” John hasn’t mentioned it, and Paul doesn’t have any clear recollection of it either. Neil Aspinall told author Mark Lewisohn that Paul McCartney The Beatles’ van to see Ringo at Butlin’s, Skegness, though this couldn’t be verified. If it happened, then this was a follow-up to the conversation that John, Paul, George and Ringo had on Saturday 11th August when they took him to meet Brian. If this was the case, then the only day for this drive was 14th August when they were not playing during the day.

waiting for brian Epstein to call

So Ringo was on standby now to receive a phone call from Brian Epstein, and to join The Beatles.

Ringo Starr became The Beatles drummer, but there was a further twist to come…

David Bedford

Full Story in Finding the Fourth Beatle

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Beatles History: The Beatles’ Final Appearance at The Cavern on 3rd August 1963

From The quarrymen to the beatles

The Beatles first appeared at The Cavern when they were just The Quarrymen, back in early 1957. It wasn’t until February 1961 that as The Beatles, thanks to Mona Best, made their first appearance at the legendary Cavern Club on Mathew Street. It was a lunchtime session, and it wasn’t long before they made their debut in the evenings too. It was later in 1961 that Brian Epstein walked into The Cavern and saw The Beatles: John Lennon, Paul McCartney, George Harrison and Pete Best. Within weeks he had signed them and arranged an audition for them at Decca. 

Between their first appearance and their last appearance on 3rd August 1963, they played nearly 300 times. Their final show did not go without incident.

The Cavern Club, Mathew Street, where The Beatles played nearly 300 times
The Cavern Club, Mathew Street, where The Beatles played nearly 300 times

The fab four: “please please me”

The Beatles were by now nationwide stars, and touring the country after the success of their singles and number one album, “Please Please Me”. The Fab Four were moving away from Liverpool, and setting up home in London, where the national media was located.  That last night at The Cavern would be their last, even though they didn’t realise it at the time.

The Cavern was a jazz club before The Beatles played rock n roll music there
The Cavern Jazz Festival as they began to have Beat Nights before long

“The crowds outside were going mad. By the time John Lennon had got through the cordon of girls, his mohair jacket had lost a sleeve. I grabbed it to stop a girl getting away with a souvenir. John stitched it back on. They may have altered their style elsewhere, but they didn’t do it at the Cavern. They were the same old Beatles, with John saying, “Okay, tatty-head, we’re going to play a number for you.’ There was never anything elaborate about his introductions.” Paddy Delaney, Cavern Club doorman

Brian Epstein promised they would return

Tickets for the final show had gone on sale at 21 July at 1.30pm, and sold out within 30 minutes. The fees for their last Cavern show were £300, a lot more than they received for their first appearance. By then, The Beatles could command almost any fee they wanted. With only 500 people there, at 10 shillings each, it was impossible for The Caverb to make money that night. Brian Epstein promised the club’s compère Bob Wooler that The Beatles would return, but they never did.

The Beatles at the Cavern Club in 1961; Pete Best, George Harrison, John Lennon and Paul McCartney
The Beatles in The Cavern in 1961; Pete Best, George Harrison, John Lennon and Paul McCartney

“The Beatles were very professional: there was no larking around and they got on with it. We all felt it was their swan song and that we would never have them at the Cavern again. Brian Epstein still owes the Cavern six dates for The Beatles as he kept pulling them out of bookings by saying, ‘You wouldn’t stand in the boys’ way, would you, Bob?” Bob Wooler

“When i’m sixty-four”: The first live performance

The show lasted from 6pm-11.30pm and The Beatles were joined on the bill were The Escorts, The Merseybeats, The Road Runners, Johnny Ringo and the Colts, and Faron’s Flamingos. However, during The Beatles’ set, there was a power cut – which was not unusual at the Cavern – and so they couldn’t use any of their equipment. As the show must go on, Paul McCartney moved over to the piano, and played a song the crowd hadn’t heard before, and wouldn’t hear on record for a few years: ‘When I’m Sixty-Four’ from the legendary Sgt. Pepper’s Lonely Hearts Club Band. Having shown that The Beatles had outgrown this primitive club, Lennon was not happy:

The Fab Four: Paul McCartney, John Lennon, George Harrison, Ringo Starr, who last played at The Cavern on 3rd August 1963
The Fab Four: Paul McCartney, John Lennon, George Harrison, Ringo Starr, who last played at The Cavern on 3rd August 1963

“We were on just before The Beatles and we were delighted with our reception as everybody was cheering and going mad. The Beatles all had long faces and John Lennon was saying, ‘We never should have come back here.” Tony Crane, The Merseybeats

Although this was the last Cavern appearance, it wasn’t their last Liverpool appearance, which happened in December 1965 at the Empire Theatre.

A Cavern Club membership card
Cavern Membership Card

Hello, goodbye

But for those Cavernites, it was the last time they saw their hometown heroes, The Beatles, in The Cavern.

David Bedford

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27th July 1962 in Beatles History: Bobby Graham is asked to replace Pete Best

Bobby Graham
Bobby Graham

On Friday 27th July 1962, The Beatles were playing on the same bill as Joe Brown and the Bruvvers at the Tower Ballroom, New Brighton, a show promoted by Bob Wooler. As featured in Finding the Fourth Beatle, Bobby Graham was the first drummer to be approached to replace Pete and, in the estimation of John, Paul and George, ideally suited for The Beatles and more than adequate for George Martin’s needs. After all, the producer’s problem with Pete had nothing to do with his live performances, but rather his drumming in the studio. Graham had extensive studio experience and, as would be proved, was one of the top session drummers in the ‘60s. Unfortunately for Brian, Graham turned him down.  

As Graham recalled: “He said that they needed a change. I said, ‘No thanks’ as The Beatles hadn’t had any hits and anyway, I had a wife and family in London. I don’t think he had even discussed it with The Beatles, as surely they would have wanted someone from Liverpool.”

“I turned him down”

In a further interview with Spencer Leigh, Graham elaborated further on the discussion. “Brian Epstein invited us back to the Blue Angel after the show. He called me to one side and said he was having trouble with Pete Best’s mum and he wanted him out of The Beatles. He asked me if I would take his place. Although I liked The Beatles, I turned him down because I didn’t want to come to Liverpool. Besides, I liked Joe Brown, who was having hit records.”

It has been suggested that Bobby Graham wasn’t offered the permanent job. According to Mark Lewisohn in TuneIn: “He (Brian) can’t have been offering the position permanently – John, Paul and George were clear they wanted Ringo – but Ringo was at Butlin’s until early September…. Brian wondered if Graham could bridge the gap between Pete’s departure and Ringo’s return.” However, there is no evidence to support this.

Four Drummers were Asked

Finding the Fourth Beatle
Finding the Fourth Beatle

Bobby Graham was one of four drummers asked to replace Pete Best: Ringo was the one who accepted the job, and became The Fourth Beatle.

The full story is in Finding the Fourth Beatle. To purchase this, and David’s other books, go to www.beatlesshop.co.uk

David Bedford

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26th July 1962 in Beatles History – Cambridge Hall, Southport

Southport Arts Centre
Southport Arts Centre, formerly Cambridge Hall

Beatles History: July 1962. The Beatles – John, Paul, George and Pete Best – made just the one appearance at this venue in the seaside town of Southport, just 20 miles north of Liverpool. Brian Epstein took action to get The Beatles out of the rock ‘n’ roll clubs, and this was all part of his strategy.

Cambridge Hall is now the Southport Arts Centre. (Featured in Liddypool)

On this occasion they were supporting one of Britain’s top acts, Joe Brown and his Bruvvers; The Beatles regularly covered Brown’s hit records. Brian had recently received news that they had a Recording Contract with Parlophone, and now Brian acted, sooner rather than later.

The following day, Brian approached the first drummer as a potential replacement for Pete Best; and it wasn’t Ringo Starr! Beatles history was about to be made. (The full story is in Finding the Fourth Beatle)

David Bedford

Discover David’s books at www.beatlesshop.co.uk

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